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• A wildly original roller-coaster ride of hilarious mischief.
• A horror-comedy about cute little Christmas toy/pets who turn into murderous monsters wreaking havoc on a Norman Rockwellian town.
• The humans are little more than dress-extras for the mechanics.
• What's confusing yet ultimately illuminating is the way his gremlins function as a free-floating metaphor, suggesting at separate junctures everything from teenagers to blacks to various Freudian suppressions.
• Dante is perhaps the first filmmaker since Frank Tashlin to base his style on the formal free-for-all of animated cartoons; he is also utterly heartless.
• Dante gleefully sinks his teeth into the kind of fluffy, sugary, sickly small town fantasy beloved of his pal and sometime producer Spielberg.
• At the level of Serious Film Criticism, it's a meditation on the myths in our movies: Christmas, families, monsters, retail stores, movies, boogeymen. At the level of Pop Moviegoing, it's a sophisticated, witty B movie.
• Gremlins is far more interested in showing off its knowledge of movie lore and making random jokes than in providing consistent entertainment.
• The film showcases Dante's two cinematic loves: 1950's era sci-fi/horror and The Looney Tunes. The two forms merge together to create a cautionary tale of Christmas gifts gone awry.
• Spoof horror doesn't horrify, it sickens. Spoof comedy doesn't amuse, it annoys. Spoof comic horror is for the stuffed birds.
• There is satire here: a sense of silly but thoughtful consideration on the Christmas traditions and how easily all the relatable facades crumble as a consequence of simple illusions being so easily shattered.
• An entertaining and original horror film with top notch effects, a great villain, and a brilliant score...
• Dante thrives in the spaces between comfort and terror: that mischievous place where you're never quite sure if the monsters are kidding or not.
• Here's the season's most delicious and unexpected surprise. Despite the horror-flick title, Gremlins is a movie of wicked wit and startling invention, and it has a heart that's at least a match for the special effects.

• Christian Science Monitor

  12/6/2013 by David Sterritt

  Think of A Christmas Carol visited by The Birds. Think of The Muppet Movie run amok. Imagine a berserk film editor splicing It's a Wonderful Life to Invasion of the Body Snatchers, with quoting from Snow White and a nod to The Texas Chainsaw Massacre.
• This postmodern, endlessly referential, utterly ruthless film is an ingenious, delightfully scary fairytale horror flick ...
• Phoebe Cates's admirably straight-faced Christmas speech should be compulsory viewing during the festive season.
• Brilliantly potent social critique of Reagan-era fear-mongering and consumerism.
• An enchanting yet savagely funny movie, Gremlins belongs alongside Ghostbusters as an enduring mainstream masterpiece from the summer of 1984. Just don't watch it after midnight.